Firefly Funny Feb: Author Anna Mainwaring talks funny YA

Firefly Funny Feb: Author Anna Mainwaring talks funny YA

So, let me ask you a question – list all the different genres of YA that come to mind? 

Fantasy – yes. Contemporary – yes. Dystopian – of course (though who knew that they would become history and we’d be living through one in 2020/21?). Eventually you’d come to comedy. Whilst funny books are fortunately plentiful in middle grade, there seem to be fewer aimed at teenagers. But why? Don’t teenagers deserve a giggle too?

Well, you might say being a teenager is pretty horrific. There’s really not much to laugh at, is there? Increased pressure at school. Being possessed by a strange cocktail of hormones that change your body and take hold of your moods so that Jekyll and Hyde aren’t two characters you study but a fairly accurate description of your day before you even get to breakfast. So, it’s no surprise that the majority of books written with teenagers in mind focus on the darker side of things to begin with but end up in the light.

However, I do see things somewhat differently. Firstly, I live with two teenagers and if you don’t, then you’re really missing out. Because let me tell you, they are hilarious. In the days of glory when children actually went to school, I would wait with anticipation for an account of what had Gone Down at school. One of my favourite stories was a particularly intense argument that took place during a silent library lesson. Accusations were mouthed to each other, culminating in a book fight before the silent antagonists had to be separated to cool down. Of course, I’m not advocating violence to books and I’m assured no books were damaged in the confrontation, (that would be a tragedy) but a wordless but furious confrontation is as ridiculous as you might find in the highest farce.

And that’s what interests me – how the elements of comedy and tragedy are aligned. I love exploring hubris, an element of both genres. A character is over-confident and sure of success – in comedy, you wait with delicious anticipation knowing the writer is going to bring them to the ground shortly. In Tulip Taylor, make up obsessed Tulip smuggles an eyeliner on to the reality TV show that she’s somewhat unwillingly volunteers for. She revels in her cleverness at breaking the rules, only for it to work its way down from her bra and poke her in a very painful place. All caught on camera. Tragic for Tulip’s sense of pride, (hopefully) comedy gold for the reader.

Finally, given the last twelve months, I really think that our teenagers deserve some laughs even more so than usual. Give them Holly Smale, Beth Garrod, Jenny McLachlan, you could even give them Tulip Taylor or Rebel with a  Cupcake. So yes, writing funny for books for teenagers is not an easy thing. But in these tough times, I really do think that they deserve at the very, very least, the chance to escape into a book which will definitely make them smile and who knows, there might even be laughter.

Where’s Max? Activity

Where’s Max? Activity


Monster Max by Robin Bennett: Activity Pack (Years 2-4)

Can you help find Max?

Max is lost in the hidden land of Krit! We need to find him and bring him home to celebrate the publication of his new book, Monster Max: This Time it’s Sirius.

Can you help the author, Robin Bennett, track him down?

Click on the Where’s Max? image to download the activity.

Suitable for 7-9 year olds


Activity Pack

Click on the image to download an activity pack to accompany Monster Max and the Bobble Hat of Forgetting by Robin Bennett, illustrated by Tom Tinn-Disbury. 

A whole range of educational and creative activities, bursting at the seams with monstrous fun!

Suitable for Years 2 – 4 pupils / 7-9 year olds

Firefly Funny February: Author Huw Davies shares his thoughts on funny books

Firefly Funny February: Author Huw Davies shares his thoughts on funny books

Here are my thoughts on funny writing for children:

It’s always struck me as odd that funny things can be perceived as less serious than things that aren’t. In fact, I think that to be really funny, a funny book needs to be dealing with something serious. Although not technically a children’s book, the first book I can remember falling in love with was The Hitchhiker’s Guide to the Galaxy. I loved the names, the bizarre situations and ridiculous ideas, but behind it was the idea of a simple man trying to live an ordinary life whilst he has all kinds of absurdity thrust upon him. It is a novel length treatment of Lennon’s ‘life is what happens to you while you’re busy making other plans’. It’s deep, but you don’t see that as you read it. (In fact, it completely put me off science fiction – as I read other SF books I’d think ‘I can see the space-ships and the robots, but where are the jokes?’)

And when dealing with children (I’m an English teacher), it’s much easier to sell something to a class if it’s got funny things in it. It would be one thing to introduce a book by saying it’s a text about friendship, fate and race. A lot the class would be half asleep. But if you introduce it as a book featuring characters called Armpit, Squid and a murderous outlaw called Kissin’ Kate Barlow, they’re onside (Louis Sachar’s immense Holes if you haven’t read it). When I wrote Scrambled (Welsh language version – Sgramblo) I was trying to write what I called ‘a daft book for daft boys’. Again, if I said to the aforementioned daft boys ‘hey this is a book about grief, education and the crisis in modern masculinity’ they would have tuned out straight away. However if I say it features someone who can pick up a coin with their own phlegm, someone eating a Ralgex sandwich and someone driving a motorbike into a glass-house, they’re back with me. 

It’s often said that humour is a serious business, but I think when it’s done right it’s the most serious business of all.

Firefly signs sequel to WWII middle-grade Flight by Vanessa Harbour

Firefly signs sequel to WWII middle-grade Flight by Vanessa Harbour

Firefly publisher, Penny Thomas, has acquired world rights in Safe from author Vanessa Harbour, a sequel to Branford Boase Award longlisted Flight, and slated for publication in autumn 2022.

In the chaotic last days of World War II, Jacob and Kizzy are tricked into a journey that goes very wrong. They escape, but must hide in an extraordinary empty mansion which shelters not only forty abandoned horses but a small band of lost children, displaced by the war. Kizzy and Jacob face a terrifying task – can they get them all home?

Flight was selected for Empathy Lab’s Read for Empathy Collection 2020, shortlisted for the Sheffield Children’s Book Awards 2019, and longlisted for the Branford Boase Award 2019. It has just been published in hardback in the US by Feiwel & Friends Books.

‘Vanessa has created a brilliant, huge-hearted adventure, set in the anarchy at the end of a war. It’s frightening and yet so hopeful, driven by the preciousness of every life. Most of all, it is the story of a friendship. This time Kizzy and Jacob don’t have Heinz to guide them – they have to rely completely on each other.’

Janet Thomas, Editor

‘I have loved taking Kizzy and Jakob on an adventure again. The strength of their two characters ensures they can face all the difficult and dangerous challenges as one.’

Vanessa Harbour, Author
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