Follow our courageous hero monster spotter Edwin Spook as he travels across the globe to save his monster friends from certain doom, stop the dastardly Monster Catcher and discover the secret recipe of Monster Soup.
To celebrate the release of Monster Spotter’s Handbook we are launching a fantastic drawing competition. Draw and colour in one of these fun monster characters for the chance to win a fabulous prize!
The slimy bogsplotter
The sparkling star statue
The frost-bitten frozen yomp
The giant oober beast
A signed and dedicated copy of The Monster Spotter’s Handbook and a limited edition badge.
Four winners will be drawn after entries close at 17:00 on July 31st 2021.
The competition is organised and run by Matt Cherry and Firefly Press Ltd (the Organisers).
The competition is open to residents of the United Kingdom aged 12 or under, except employees of the Organisers and their close relatives and anyone otherwise connected with the organisation of the competition or winner selection.
There is no entry fee and no purchase necessary to enter this competition.
By entering this competition, you agree to these Terms & Conditions.
Entries must be sent via the submissions forms found on the Competition Details page of this website. Submissions via Twitter or any other avenue will not be considered.
Only one entry will be accepted per person. Multiple entries from the same person will be disqualified.
No responsibility can be accepted for entries not received for whatever reason.
The prize draws will be held as follows:
All correct entries received between 09:00 on June 24th 2021 and 17:00 on July 31st 2021 will be entered into a prize draw on August 2nd. After 17:00 on July 31st 2021, no further entries will be permitted.
If any winner cannot be contacted or does not claim the prize within 14 days of notification, the Organisers reserve the right to withdraw the prize and pick a replacement winner.
The Organisers will arrange the prize delivery date and location with the winner/s.
The Organisers reserve the right to take photographs at the prize-giving. By entering this competition you agree to grant the Organisers royalty free and perpetual rights to display the prize-winning drawings online and on social media.
By participating in the promotion, you grant the organisers the right to announce your name publicly on the website and other media channels.
Prizes are detailed on this website. The organisers reserve the right to replace the prizes with alternatives if circumstances beyond their control make it necessary.
Competition deadlines may be changed by the Organisers at their discretion and will be communicated on this website.
The competition and these terms and conditions will be governed by English and Welsh law and any disputes will be subject to the exclusive jurisdiction of the courts of England and Wales.
Rebel with a Cupcake is the book of my heart. One year on from its UK publication, here are a few thoughts on why it matters so much to me and why it speaks to so many young people out there.
Rebel with a Cupcake deals with (please excuse the pun) weighty issues. I’m very glad that there a number of novels published which deal with society’s attitudes to weight, the pain of fat-shaming and the importance of body positivity as it’s a subject close to my heart. From childhood onwards, I’ve always been larger than average. As a teacher at form time, I would overhear so many heart-breaking conversations about fear of being fat, the unintentional fat-shaming of others, the horror that being fat has for so many girls, the complex relationship so many of them had with food. They craved food but felt that they weren’t allowed to eat.
Out of all of this, the idea for Rebel with a Cupcake was born. Jess is confident, considered attractive in many ways, but even this confidence is punctured by a combination of pressure from her model mother and teenager vulnerability. I know some readers might find Jess’ choices with regard to food as problematic. There is no doubt in my mind that all the science says that diets don’t work long term. However, diets/products are endorsed by celebrities on social media every second of the day. I wanted to write something that was honest about what it’s like to be a larger person in a society which is often fat-phobic. Body positivity is a wonderful thing. But it is, in my experience, hard won and some days you can be more confident than others. To have a character who never felt any doubt about her appearance, to me felt false. And who wants to write a novel for young people which isn’t grounded in truth? I wanted Jess to feel the doubts and insecurities so many woman and girls feel but still to progress on her journey back to confidence. With a fair few jokes along the way!
The lure of baking is always the same. It seems like a miraculous process, the closest any of us will come to real magic. You take a few simple ingredients – eggs, flours, butter with bit of flavouring and colour – and a few hours later, a thing of sheer beauty will emerge from your oven, an alchemical masterpiece, blending delicious flavour with immaculate appearance.
At least that’s the dream. And it might be true for the protagonist, Jess, from my novel, Rebel with a Cupcake’who deals with her feelings about being bullied by a teacher by re-creating her school in gingerbread and then eating it. I had in mind that she created something like this, a wonder of baking, engineering and creativity.
But as we all know, and children often have to learn when the first independent baking experiment goes wrong, baking is much more like this.
We aim for a unicorn of elegance and beauty and end up with a monstrous, many hued mess, an insult to any self-respecting mythological beast.
I am generally considered a good cook. But while I love cakes, unlike Jess, they can be my nemesis. A few months before Rebel with a Cupcake was published in April 2020, (when one could go to a café with friends) I met some fellow writers for a chat in Manchester Library. In the café, Vimto cupcakes were on offer. As an adopted Mancunian, I love a bit of Vimto and was duly tempted. They looked gorgeous, they tasted spectacular.
So, when I was asked to bake some cupcakes to celebrate the launch of Rebel with a Cupcake, I decided to recreate them. They were tasty, northern and a bit different – they were in fact the character of Jess in cake form. Challenge accepted.
Now the cake part was easy – now onto the icing. I wanted some Vimto cordial to get the full fruity taste but I couldn’t find any – a global pandemic was happening after all. Never to be put off when I’ve got an idea, I decided to buy normal Vimto and reduce it to a sticky, cordial like substance by heating it over the hob. Easy peasy – what could go wrong?
It was all going swimmingly. ‘I’ll let it reduce for a bit longer,’ said I, ‘I won’t get distracted by Twitter, forget about the time and make a stinking, smokey mess of it.’.
But of course I did. Children came running from bedrooms, complaining of the smell of burned fruit. “It smells like death,” one cried. The smoke alarms went off in every room. My next-door neighbour who is an ex-firefighter was looking over the fence in alarm when I ran out with the offending saucepan.
I did not ‘nail it’. I messed it up. From then on, cupcakes have been bought not made … If nothing else, it saves on the washing up.
So, let me ask you a question – list all the different genres of YA that come to mind?
Fantasy – yes. Contemporary – yes. Dystopian – of course (though who knew that they would become history and we’d be living through one in 2020/21?). Eventually you’d come to comedy. Whilst funny books are fortunately plentiful in middle grade, there seem to be fewer aimed at teenagers. But why? Don’t teenagers deserve a giggle too?
Well, you might say being a teenager is pretty horrific. There’s really not much to laugh at, is there? Increased pressure at school. Being possessed by a strange cocktail of hormones that change your body and take hold of your moods so that Jekyll and Hyde aren’t two characters you study but a fairly accurate description of your day before you even get to breakfast. So, it’s no surprise that the majority of books written with teenagers in mind focus on the darker side of things to begin with but end up in the light.
However, I do see things somewhat differently. Firstly, I live with two teenagers and if you don’t, then you’re really missing out. Because let me tell you, they are hilarious. In the days of glory when children actually went to school, I would wait with anticipation for an account of what had Gone Down at school. One of my favourite stories was a particularly intense argument that took place during a silent library lesson. Accusations were mouthed to each other, culminating in a book fight before the silent antagonists had to be separated to cool down. Of course, I’m not advocating violence to books and I’m assured no books were damaged in the confrontation, (that would be a tragedy) but a wordless but furious confrontation is as ridiculous as you might find in the highest farce.
And that’s what interests me – how the elements of comedy and tragedy are aligned. I love exploring hubris, an element of both genres. A character is over-confident and sure of success – in comedy, you wait with delicious anticipation knowing the writer is going to bring them to the ground shortly. In Tulip Taylor, make up obsessed Tulip smuggles an eyeliner on to the reality TV show that she’s somewhat unwillingly volunteers for. She revels in her cleverness at breaking the rules, only for it to work its way down from her bra and poke her in a very painful place. All caught on camera. Tragic for Tulip’s sense of pride, (hopefully) comedy gold for the reader.
Finally, given the last twelve months, I really think that our teenagers deserve some laughs even more so than usual. Give them Holly Smale, Beth Garrod, Jenny McLachlan, you could even give them Tulip Taylor or Rebel with a Cupcake. So yes, writing funny for books for teenagers is not an easy thing. But in these tough times, I really do think that they deserve at the very, very least, the chance to escape into a book which will definitely make them smile and who knows, there might even be laughter.
Here are my thoughts on funny writing for children:
It’s always struck me as odd that funny things can be perceived as less serious than things that aren’t. In fact, I think that to be really funny, a funny book needs to be dealing with something serious. Although not technically a children’s book, the first book I can remember falling in love with was The Hitchhiker’s Guide to the Galaxy. I loved the names, the bizarre situations and ridiculous ideas, but behind it was the idea of a simple man trying to live an ordinary life whilst he has all kinds of absurdity thrust upon him. It is a novel length treatment of Lennon’s ‘life is what happens to you while you’re busy making other plans’. It’s deep, but you don’t see that as you read it. (In fact, it completely put me off science fiction – as I read other SF books I’d think ‘I can see the space-ships and the robots, but where are the jokes?’)
And when dealing with children (I’m an English teacher), it’s much easier to sell something to a class if it’s got funny things in it. It would be one thing to introduce a book by saying it’s a text about friendship, fate and race. A lot the class would be half asleep. But if you introduce it as a book featuring characters called Armpit, Squid and a murderous outlaw called Kissin’ Kate Barlow, they’re onside (Louis Sachar’s immense Holes if you haven’t read it). When I wrote Scrambled (Welsh language version – Sgramblo) I was trying to write what I called ‘a daft book for daft boys’. Again, if I said to the aforementioned daft boys ‘hey this is a book about grief, education and the crisis in modern masculinity’ they would have tuned out straight away. However if I say it features someone who can pick up a coin with their own phlegm, someone eating a Ralgex sandwich and someone driving a motorbike into a glass-house, they’re back with me.
It’s often said that humour is a serious business, but I think when it’s done right it’s the most serious business of all.